"It would be nice if the wall-to-wall marathon showings of A Christmas Story on TBS and TNT led to a rediscovery of Jean Shepherd's other work..."

"... and even to a revival of the radio arts, but given that people have so many other things to occupy themselves nowadays, that it's unlikely." 


I've never seen "A Christmas Story," though I am one of Jean Shepherd's biggest fans. For years, in the 1960s, I used to get in bed in time to hear the "Call to Post" — which, today, sounds like something about blogging — on my radio tuned to WOR. And then...

 

Listening to those Jean Shepherd radio shows in the dark, night after night, was the pop culture highlight of lifetime. Of course, I heard him read "A Christmas Story" ever year. That was a tradition. But better than that was any random show on whatever he decided to talk about that night — another story of his childhood (back in Indiana) or some odd trail of musings.

From Wikipedia
Shepherd's oral narrative style was a precursor to that used by Spalding Gray and Garrison Keillor. Marshall McLuhan in Understanding Media wrote that Shepherd "regards radio as a new medium for a new kind of novel that he writes nightly." In the Seinfeld season-six DVD set, commenting on the episode titled "The Gymnast", Jerry Seinfeld said, "He really formed my entire comedic sensibility—I learned how to do comedy from Jean Shepherd."... 
Shepherd was an influence on Bill Griffith's Zippy comic strip, as Griffith noted in his strip for January 9, 2000. Griffith explained, "The inspiration—just plucking random memories from my childhood, as I'm wont to do in my Sunday strip (also a way to expand beyond Zippy)—and Shep was a big part of them." 
In an interview with New York magazine, Steely Dan's Donald Fagen says that the eponymous figure from his solo album The Nightfly was based on Jean Shepherd. 
Though he primarily spent his radio career playing music, New York Top-40 DJ Dan Ingram has acknowledged Shepherd's style as an influence. An article he wrote for the March–April 1957 issue of MAD, "The Night People vs Creeping Meatballism", described the differences between what he considered to be "day people" (conformists) and "night people" (nonconformists).

A few days ago, in conversation on Facebook, I reconsidered my lifelong policy of averting my eyes from the film version of "A Christmas Story." Just to present my own comments: 

I've never seen "A Christmas Story" because I am too devoted to Jean Shepherd and the original story as told over the radio....

I know [you hear Shepherd's voice-over narration in the film], but I don't want to see the ideal replaced by a literal acting-out of the story by human actors. The adult's voice creates the kid feeling. I don't want to see a real boy acting out the emotions for the camera. It's radio, the ultimate in radio, and not film...

I think I need to change my position. "A Christmas Story" is a deviation from Shepherd's usual show, because he was reading a story — not riffing in real time — that had been published in a book and a magazine (Playboy). So it wasn't the pure radio ideal that I'm so staunch about. It is not one of his stories about his own youth, because he says before reading the story that the boy is *not* him. 

So did I finally watch the movie? No. Not yet, anyway. But I was motivated to listen to a random old show — something about midwestern drug stores. Nothing to do with Christmas, but I was listening on Christmas. 

I don't think of Shepherd as Christmas-y, and it annoys me a bit that so many people do. The radio show should be much more important that that one film version of a story he used to read on the radio. Should be, and perhaps is, as its influence is deeply woven into many things we actively enjoy today. It's baked into this blog.

Factoid: "Shepherd's friend Shel Silverstein likely wrote the Johnny Cash song 'A Boy Named Sue' because of him...."

Here's the podcast where I found my random old show yesterday. Here's a webpage with a lot of the old shows.